sE Electronics V Pack Club

Primarily designed for kick drums, floor-toms, and electric bass, the sE Electronics V Kick is a dynamic microphone with a supercardioid polar pattern. It's intended to be quite versatile, with four different tonalities thanks to two switches mounted on the rear of the mic. One switch controls the frequency content of the midrange, while the other changes the high-frequency capture of the V Kick.

Thanks to these switches, you can secure a rounded midrange with a softer high end, a scooped midrange with a defined high end—or the complete opposite: A scooped midrange with a softer high-end, or a round midrange with a softer high end. This allows you to use the mic with all sorts of styles of kick drum, from big-band jazz to aggressive metal. The same is true for basses. You can tailor this mic for something that complements a round, vintage Ampeg tone, or a more modern back-pickup style.

These switches are positioned on the rear of the mic, and this helps with live-sound functionality. With different bands switching their instruments between sets, this mic can be of service in keeping changeover time to a minimum in club venues.

At the heart of the V Kick is its DMC7 SB capsule, which utilizes an aluminum voice coil for a transient-rich sound and a bottom end extending low enough to record the fundamental frequencies of kick drums and basses. Its supercardioid pickup pattern ensures little bleed, helping you isolate the sound-source from other drums or cymbals. The capsule is suspended inside the mic to keep it decoupled from mechanical vibration, shocks, jolts, and other issues.

The mic's all-metal housing is rugged, making the mic suitable for live use on the road. A gold-plated XLR connector helps to provide a reliable signal connection. With a windscreen built into the mic, it's already internally protected against winds, plosives, and extraneous noise. A black windscreen and a knurled nut for third-party mounting kits are included.

Designed for use with snare drums and toms, the sE Electronics V Beat is a dynamic, supercardioid microphone. It offers a low-profile design that attaches easily to the rim of drum heads. Not only does the mic provide a highly accurate, naturalistic audio capture—it also keeps cables out the drummer's line of sight and makes it easier for them to maneuver around the kit without fear of accidentally striking a mic head.

At the heart of the V Beat is its DMC7 X capsule, which utilizes an aluminum voice coil for a transient-rich sound and a bottom end extending low enough to record the fundamental frequencies of toms and snares. Its supercardioid pickup pattern ensures little bleed, helping you isolate the sound-source from other drums or cymbals. The capsule is suspended inside the mic to keep it decoupled from mechanical vibration, shocks, jolts, and other issues.

The mic's all-metal housing is rugged, making the mic suitable for live use on the road. A gold-plated XLR connector helps to provide a reliable signal connection. With a windscreen built into the mic, it's already internally protected against winds, plosives, and extraneous noise. A black windscreen and a knurled nut for third-party mounting kits are included.

The sE Electronics V CLAMP is a mount designed to add more flexibility when mounting drum mics to drum heads, particularly those in the V BEAT series. The V CLAMP secures to the rim of a snare or tom drum by means of its elastic clip, while the cylindrical metal tube allows you to move attached V-Series microphones on a vertical plane. With the V CLAMP, you can position the mic further away from the drum if you want to get more air and bloom around the sound, or mic it in tight and close. At the bottom of the rod is a small hole, which you can use with a tie clip for cable organization.

Designed for drums, guitars, pianos, or indeed, any application requiring a pencil-mic design, the sE Electronics sE7 is a back-electret, small-diaphragm condenser microphone. It sports a cardioid polar pattern. Fashioned from class-A circuitry and utilizing a transformerless output, the microphone captures sound with clarity and neutrality across its frequency response, thus eschewing overly harsh highs and aiding in a pleasurable bottom end.

A switchable 20 dB attenuation pad allows you to use this microphone with loud instruments, doing so with a favorable signal-to-noise ratio. A low-cut filter at 80 Hz helps filter out rumble and other unwanted bass issues. Thus, you can use the sE7 in both close and distant miking scenarios.

An all-metal chassis provides a robust, roadworthy construction, while gold-plated XLR terminations ensure security in the connecting process. A mic clip and a windscreen are included.